© 2023 Grigorios IoannidisCritical Stages/Scènes critiques e-ISSN:2409-7411
Rothko’s Tears (And a Question on Originality)
01. Jun 2023 |
critical-stages.org
Grigorios Ioannidis* Rohtko, staged at Onassis Stegi, Athens.
The mostly Latvian troupe is teaching us, once again, what true realism stands for, with their own emerging from the depth and silence of human poetry. The team of Juris Bartkevičs, Kaspars Dumburs, Ilze Ķuzule-Skrastiņa, Yan Huang, Andrzej Jakubczyk, Rēzija Kalniņa, Katarzyna Osipuk, Artūrs Skrastiņš, Mārtiņš Upenieks, Vita Vārpiņa, Toms Veličko and Xiaochen Wang is admirable both when they act on stage and when they retreat to the edge of being.
The mostly Latvian troupe is teaching us, once again, what true realism stands for, with their own emerging from the depth and silence of human poetry. The team of Juris Bartkevičs, Kaspars Dumburs, Ilze Ķuzule-Skrastiņa, Yan Huang, Andrzej Jakubczyk, Rēzija Kalniņa, Katarzyna Osipuk, Artūrs Skrastiņš, Mārtiņš Upenieks, Vita Vārpiņa, Toms Veličko and Xiaochen Wang is admirable both when they act on stage and when they retreat to the edge of being.
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