Jean-Malik Amara

About me

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Jean-Malik Amara

About me

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I’m 31 and come from the world of theatre — trained at the Conservatoire of Lyon — where I’ve performed a lot, from classical plays in alexandrine verse to contemporary works.

On screen, I’ve taken on intense roles, both lead and supporting, always fully committed (Le miel qu’on lèche que l’épine by William Robin, Pure by Federico Mottica, Cyclope by Arthur Villalongue…).

I’m drawn to physical performance, to silences that say something, to tensions that rise without warning. I climb, play handball and tennis, do strength training, and I play the guitar.

I’m looking for projects that resonate, that surprise me, and that call for full-on commitment.

Jean-Malik Amara
Lyon (FR), Paris (FR)
Gendermale
Place of birthMontreuil (93)
NationalityFrench, Algerian
Main professionActor
Working permitsEuropean Union (EU-27)
Housing optionsMontoison (FR)
SpecializationsDubbing actor, Comedian, Model, Theater
Driver's licensesB - Car
Eye colorgreen brown
Hair colordark brown
Height (cm)196
Weight (in kg)73
LanguagesFrench(native)English
InstrumentsGuitar
SportClimbingHandballBasketballBodybuilding
PitchBass-baritone
SingingChanson
Special skills(cartoon) voice actingModel
Training
Primary professional training
2015 – 2019
Other professional training
2023
40 heures de formation de doublage
2022
Atelier Rencontres Pros Cinéma & Séquences filmées
2013
Conservatoire de Clermont-Ferrand
Film
2025
Venticinque
Arthur (LR)
Federico Mottica
2022
Pure
Supporting Role
Federico Mottica
2022
Le Miel qu'on lèche sur l'épine
Ricci (SUP)
William Robin Qu'artz association
2020
Cyclope
Simon (LR)
Arthur Villalongue Théâtre des Célestins
Theater
2025
Les Heureuses Feintes (Drama)
Leading Role
Collectif Les Herbes Folles
2023
Petit Caillou
Le Narrateur (LR)
Compagnie Peau Éthique
2023
Les Romanesques
Pasquinot, Straforel (LR)
Compagnie 800 Litres de Pailles
2021
La Supercherie réciproque
Tous (LR)
Collectif Les Herbes Folles
Commercial
2025
La Fédération Nationale des Chasseurs
Thomas Tyman Quentin Charpentier