E.U PASSPORT ✅ 🇫🇷
US GREENCARD RESIDENT ✅ 🇺🇸 Yassine Azzouz's rich acting career took root at Paris's Cours Florent, where he embraced the Meisner technique, profoundly shaping his nuanced approach to acting. This foundation led him to significant roles on the Parisian stage, including an Arabic adaptation of Shakespeare's "Othello," showcasing his capability to interpret classic roles through a modern lens. His performances in David Mamet's "Edmond" and Harold Pinter's "The Homecoming" further cemented his reputation in the Parisian theater scene for depth and versatility.

His screen debut was marked by a notable role in "Djihad," a pioneering series by Canal Plus, which introduced him to a broader audience and showcased his screen adaptability. Azzouz then extended his reach internationally with an appearance in the widely viewed "Gossip Girl," further enhancing his global appeal.

Azzouz's film portfolio is equally impressive, featuring significant roles in Philippe Faucon's "La Desintegration," which brought him critical acclaim, and in Laurent Bouhnik's "Desire," where he delved into complex, emotionally charged narratives. His versatility continued in "De L'encre," directed by the iconic French rap group "La Rumeur," demonstrating his range across various storytelling forms.

Expanding beyond traditional film roles, Azzouz appeared in the apocalyptic music video "Burial" by Christine, directed by Julien Paolini, showcasing his adaptability across entertainment mediums. His work with renowned actors such as Mélanie Laurent and Reda Kateb in "Les Derniers Parisiens," and alongside international stars like Andy Garcia and Martin Donovan in the Netflix feature "Redemption Day" (South America), underscores his ability to collaborate with leading figures in the industry. His role in the English-language series "Jo," alongside the legendary Jean Reno, highlighted his flexibility and recognition in diverse entertainment circles.

Written by Theo Dumont