At 7, I started at the music and dance conservatory, learning saxophone, music theory, and singing. At 17, with my baccalaureate in hand, I began working in the arts (dance/singing). I furthered my training and earned my State Diploma in Modern Jazz Dance—and at the same time, I gained practical experience, more precisely on stage, then on sets, tours, and with various teams. My skills honed. My entire professional life has been like this. Very different projects—Prince, Kamel Ouali, Nicolas Briançon, James Thierrée, Stage Entertainment, TF1, a series with Newen. I've always been fully immersed in my work. And this diversity has shaped me in a way I wouldn't have chosen otherwise. I know the rhythm of a film set. I love teamwork, the high standards, and the concentration it demands. As an artist, I now need words, dialogue, and speech. And the camera—I love what it does: it captures what we can't control. What moves me in this profession is the moment when something real passes through and crosses the screen, to touch the viewer.