Ophélie Crispin

Agence Gauthier Martin
About me

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Ophélie Crispin

Agence Gauthier Martin
About me

View profile
At 7, I started at the music and dance conservatory, learning saxophone, music theory, and singing. At 17, with my baccalaureate in hand, I began working in the arts (dance/singing). I furthered my training and earned my State Diploma in Modern Jazz Dance—and at the same time, I gained practical experience, more precisely on stage, then on sets, tours, and with various teams. My skills honed. My entire professional life has been like this. Very different projects—Prince, Kamel Ouali, Nicolas Briançon, James Thierrée, Stage Entertainment, TF1, a series with Newen. I've always been fully immersed in my work. And this diversity has shaped me in a way I wouldn't have chosen otherwise. I know the rhythm of a film set. I love teamwork, the high standards, and the concentration it demands. As an artist, I now need words, dialogue, and speech. And the camera—I love what it does: it captures what we can't control. What moves me in this profession is the moment when something real passes through and crosses the screen, to touch the viewer.

Agence Gauthier Martin
Gauthier MARTIN
+33 6 16 37 30 97
gm@gauthiermartin-agent.fr
open agency on Filmmakers
Ophélie Crispin
32-45 yearsParis (FR)
Genderfemale
Acting age32-45 years
Place of birthParis
NationalityFrench
Main professionPerformer
Working permitsFrance
SpecializationsSinger, Theater actor, Dancer, Model
Driver's licensesB - Car
Eye colorblack
Hair colorbrunette
Height (cm)171
Ethnicity and heritageMixed, Catalan, Martinican, Mère Catalane, père Martiniquais, élevée en France
LanguagesFrench(native)English
AccentsWest Indies
SportYogaAerobicsPilatesAlpine skiingSurfing
DanceChoreographyStage danceContact improvisationContemporary danceGogo danceZouk / KizombaCan-canCharlestonHip hop
PitchSoprano
SingingA cappellaChansonOpera singingPopPop songsSprechgesangChoirJazzSoul/RnB
Special skillsChoreographyEntertainerModel
Training

Je n'ai pas fait une formation complète.
C'est à la fois ce qui me manque parfois et ce qui m'a construite. Je n'ai pas suivit le chemin balisé mon apprentissage s'est fait autrement, par les rencontres, les metteurs en scène qui m'ont fais confiance, les plateaux... En observant, en écoutant, en recommençant. Chaque projet m'a appris. J'ai tout de même fais une demie année de formation chez Peyran Lacroix et différents stages ( Méthode Meisner/ Permis de jouer / Stages en présence de Directrices de casting .. )